Lutinier - Altraste

Lutinier

—

Premiere on March 22, 2024 at the Felix Petite theater in Vitoria-Gasteiz (Spain)

Zuriñe Benavente
Nelson Martínez
Ignacio Monterrubio
Magdalena Öttl
Nicolás Sánchez

In a world full of specialization and compartmentalization of different disciplines and knowledge, the LUTINIER team presents itself as a group of collaborators and artisans of sound, movement, light, scene and word gathered to question themselves and us about the opportunities that offers us the life of being reborn and starting over, placing us at a hopeful and uncertain starting point and allowing us to savor the pleasure of fully feeling the present moment, the pleasure of the ephemeral or the panic of oblivion.

✴︎ estamos hechos de dudas. ??? Repetir no es un delito. Silence. los dictadores no duermen y las madres tampoco. Detrás de la técnica tiene que llegar el dominio y el olvido hasta que la frescura vuelva a aparecer. Decisiones S.A.

—Lutinier

ARTISTs

Zuriñe Benavente

Nelson Martínez

Magdalena Öttl

Nicolás Sánchez
Ignacio Monterrubio

ColaboraTION: Iñaki Azpillaga

scenery support: Kike Blanco

lighting support: Cristina gómez jiménez

photography/video: Jesús Robisco

Graphic design: Diego Areso
Management: Marta guzmán

ProducTION: Altraste Danza

collaborate
Danzálava
La Fundición BIlbao
Kolectivo Monstrenko
Espacio de creación Como Pez en Bicicleta
Conservatorio municipal de danza José Uruñuela

SUPPORT
Departamento de Cultura y Política Linguística del Gobierno Vasco
Red de Teatros de Vitoria-Gasteiz

LUTINIER, the latest creation of the Altraste Danza company and part of the celebration of its tenth anniversary, was born thanks to the collaboration with the artist Iñaki Azpillaga, a precursor of a multidisciplinary way of working, after the direction of two performing laboratories with creators-performers who They had the ability to work on stage with more than one artistic discipline.

Hence, in LUTINIER, lighting, music, scenography, words and movement are present and transformed by the performers themselves, telling as a common thread the second opportunities experienced in the first person and the reinterpretation that we make of them as a result of memory. and oblivion, in a work of composition and recomposition on stage.